Part 3
Article and Photography by Ron Bigelow
Abstract Photography Subject Matter
The last two articles in this series concentrate on
various subject matter to which abstract photography techniques can be
applied.
Flowers
Flowers are an excellent choice for abstract photography. The
main strengths of flowers are the colors and the lines. Therefore, these
should be emphasized when creating abstract flower images.
Figure 1: Strong Center of Interest
Flower abstracts tend to fall into two categories: images with a
strong center of interest and images with either a weak center of
interest or no center of interest at all. With flowers that have a
strong center of interest, the lines of the flower (e.g., the edges of
the pedals) can be used as leading lines to direct the viewer’s
attention to the center of interest (see Figure 1). With flowers that
have a weak center of interest (or no center of interest), the lines
become the main attraction in the image. Thus, the lines must be
composed in such a way that they are interesting and draw the viewer’s
attention (see Figure 2).
Figure 2: Weak Center of Interest
A primary technique for flower abstracts is the use of
selective focus. This technique allows a photographer to crop out all
distracting detail and to draw attention to the colors and lines that
create the real value for the image
DVDs
The recording sides of DVDs have an interesting property. They
create a spectrum of colors when light is shined on them. This creates
fun, abstract photo opportunities.
One opportunity involves capturing the color as a pure abstract
(see Figure 3). The colors tend to be bold and saturated. This makes
for interesting color patterns. Another opportunity requires the DVD to
be used as a base on which other objects are placed. Some objects, such
as water drops, will pick up the color and reflect it (see Figure 4).
With objects that do not reflect the colors, the DVD provides a very
vibrant background.
Figure 4: DVD & Water Drops
Two factors will affect the colors that a DVD displays: the light
source and the angle of the DVD with respect to the light and the
camera. The best way to get a great shot with a DVD is to just play
around with the light source and angle until the right combination is
found.
Sand Dunes
Sand dunes are a lot of fun to photograph and are a natural for
abstract photography. There are a couple of main types of sand dune
abstracts: normal/wide angle shots and close-ups.
The normal to wide angle shots tend to focus on form (see Figure
5). With these images, both the forms and lighting are critical. The
forms must be interesting and the light must serve to enhance the forms.
Consequently, these types of sand dune shots often use side lighting.
This means that the images need to be shot either early or late in the
day when the sun is low on the horizon.
Close up shots usually emphasis either smaller forms or texture
(see Figure 6). Just like normal/wide angle shots, Close-up shots often
use side light. This augments the small forms or texture.
Buildings
Buildings provide a rich source of opportunities for abstract
images. This is because they have a number of features that can lend
themselves to an abstract interpretation:
- Shapes
- Lines
- Patterns
- Textures
Perhaps the most noticeable aspect of buildings is form. The
overall structure of a building provides a form within which many
sub-forms exist. When concentrating on form, usually, only part of a
form is revealed in an abstract image. This is what gives the image it
abstract quality and creates a bit of mystique.
Buildings have many prominent lines that can create abstract
opportunities. For example, guardrails, edges of buildings, staircases,
and hallways all have lines that can be shot from interesting angles to
create abstracts images.
Figure 7: Broken Pattern with Building
Many buildings have interesting patterns. Even better is when
the pattern is broken in some manner. This is the case in Figure 7 where
the pattern of a house made of bottles is broken by the window frame.
Building textures provide the final abstract opportunity. This
usually means that a close-up shot is required. Examples of texture
abstract opportunities can be found in stucco, weathered boards, and
worn cement.
Rock
It is almost impossible to walk through an area of rock
formations and not find abstract photography opportunities. The two
primary qualities that give rock its abstract feel are curves and
color.
With most rock formations, curves run throughout the formations.
It is just a matter of finding curves that catch the attention. Often,
graceful curves work best. In addition, many rock formations have a
strong color. In fact, some areas are famous for the color of their rock
(southern Utah for example).
There are two approaches to capturing the color at its best. The
first approach is to photograph just after sunrise or before sunset. At
this time, the light will, likely, be soft and have a warm tone that
will bring out the colors.
The second approach to capturing the color is to use reflected
light. Reflected light is light that has reflected off some object
before it illuminates the subject being photographed. For instance, the
light might reflect off a canyon wall then strike a rock formation. The
advantage with reflected light is that it picks up the color of the
object from which it reflects. As long as the color of the object from
which the light reflects is the same as the color of the object that is
being photographed, the saturation of the color is significantly
enhanced. This is the case in figure 8. The light reflected off a red,
rock surface before striking the Indian ruins. This helped to bring out
the red color of the rock.
Around the House
One of the best things about abstract photography is that there
are photographic opportunities virtually everywhere. Thus, abstract
opportunities can be found in your home, backyard, and neighborhood.
That means that abstract photography is one of the few fields of
photography that is not subject to the limitation of time (I don’t have
the time to go on a photo trip), money (I can’t afford a photo trip),
or weather (I flew two thousand miles to spend five days in a cabin
while a torrential rainstorm poured outside).
Figure 9: Around the House
When photographing things in, or around, the house, it is best to
look for objects that have interesting form, color, or curves. In
addition, the best abstract opportunities, around the house, frequently
involve photographing part of an object rather than the entire object.
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