Abstract Photography
Part I
Article and Photography by Ron Bigelow
Figure 1: Abstract Photography
Abstract photography can produce very dramatic
images. It relies on our more primal sense of form, color, and curves
than it does on detail. The problem is that most photographers tend to
think in terms of detail when evaluating photographic opportunities.
However, it takes a different way of looking at our world to perceive
the abstract photography opportunities that surround us.
The purpose of this article is to investigate the
techniques and subject matter opportunities of abstract photography.
This is an in-depth, multi article series that will cover the following
topics:
Contents
Definition
Why Abstract
Essentials
Composition
Art of Subtraction
Techniques
Flowers
DVD
Sand Dunes
Buildings
Rock
Around the House
Water
Abstract Photography Definition
There is no standard, universally accepted definition of abstract photography. Actually, it is not easy to create a clear-cut definition of an abstract concept. However, for the purposes of this article series, it is necessary to create a definition in order to put some boundaries around the topic. This makes it easier to determine what falls within the domain of the subject matter. Thus, for this article series, abstract photography will be defined as photography that:- Does not represent the subject in a literal way.
- Communicates primarily through form, color, and curves rather than image detail.
This definition brings about a very important point. Since image
detail takes a back seat to form, color, and curves, the brain's logical
processes are more subdued when viewing abstract images. Instead, the
reaction is much more instinctual. In essence, abstract photography
communicates to the viewer primarily through the viewer's emotions. This
plays to the photographer's benefit because humans' emotional systems
are much more powerful than the logical systems.
Furthermore, the emphasis on form, color, and curves tends to elicit strong reactions from the human perceptual system. This is not just a psychological matter. It is actually hard wired into the human neurological and mental systems. For instance, the human visual system responds very strongly to certain colors and color contrast. In addition, certain parts of the brain are programmed to respond to curves and shapes.
This fits in perfectly with abstract photography. When done well, abstract photography can be very much in tune with the human perceptual, mental, and emotional systems. The end result can be very powerful images.
It is important to notice that the definition did not say that the subject matter had to be unrecognizable. It is true that, in some abstract images, the viewer can not tell what has been photographed. However, that is just one type of abstract image.
Furthermore, the emphasis on form, color, and curves tends to elicit strong reactions from the human perceptual system. This is not just a psychological matter. It is actually hard wired into the human neurological and mental systems. For instance, the human visual system responds very strongly to certain colors and color contrast. In addition, certain parts of the brain are programmed to respond to curves and shapes.
This fits in perfectly with abstract photography. When done well, abstract photography can be very much in tune with the human perceptual, mental, and emotional systems. The end result can be very powerful images.
It is important to notice that the definition did not say that the subject matter had to be unrecognizable. It is true that, in some abstract images, the viewer can not tell what has been photographed. However, that is just one type of abstract image.
Why Abstract Photography
The question arises, "Why bother creating abstract images?" In other words, there are a lot of other photographic opportunities out there. Why would a photographer choose to create abstract images?There are a couple of reasons. First, as just mentioned, abstract images can be very powerful. That in itself is all the justification that is needed. However, there is a second advantage. Abstract images can be created almost anywhere. What that means is that a photographer can create abstract images right at home and in the surrounding neighborhood. This is in contrast to other types of photography, such as landscape photography, where there is the cost in time and money to travel to specific locations to capture images.
Essentials
There are three essentials to abstract photography: form, color, and curves. It is paramount that an abstract photographer learns to think in these terms.
Figure 2: Form
Now, it might be tempting to want a definition or list of what makes for good form. However, it must be remembered that abstract photography is an instinctual art form -- people react to it emotionally not logically. Thus, it is essential that form be approached in the same manner. It is necessary to find objects with forms that create an emotional reaction. When one looks at an object and immediately reacts, "Wow, look at that", a strong form has probably been found.
Figure 3: Color
One way to use color is to use a saturated or intense color (see Figure 3).
Figure 4: Color Contrast
Figure 5: Curves & Center of Interest
The second way that curves can add
interest to an image is a bit more intangible. With this use of curves,
the curves do not point at the center of interest. In fact, they do not
point at anything in particular. Instead, the curves simply flow
through the image in a graceful or dynamic way. How does this help the
image? Even though the curves do not point toward any object, they still
serve to control the viewer's eyes. When used properly, the viewer's
eyes will roam back and forth along the curves. Thus, the viewer's
attention has been captured.
This use of curves can be seen in Figure 6. In this image, the
curves do not point toward any center of interest (in fact, the image
has no center of interest). Rather, the lines function to lead the eyes
throughout the image with no end point in sight. The viewer's eyes
follow the edges of the leaf as well as the veins in the leaf only to
find that one curve simply leads to another.
While this second use of curves works very well in abstract images, it should be used very cautiously in images that are not abstract. In non-abstract images, such use of curves is often distracting.
Figure 6: Roaming Curves
While this second use of curves works very well in abstract images, it should be used very cautiously in images that are not abstract. In non-abstract images, such use of curves is often distracting.
Composition
Composition consists of how the objects in an image are arranged with respect to each other. There are many approaches to composition. Carrying out a thorough review of the subject of composition is beyond the scope of this article. However, two aspects of composition, as they relate to abstract photography, will be covered.- Rule of thirds
- No rules
Figure 7: Rule of Thirds
Figure 8: No Rules
Art of Subtraction
Earlier, it was stated that people tend to react to abstract photography on an instinctual or emotional level. Therefore, to create great abstract images, all one has to do is remove everything that does not, in some way, strengthen the viewer's emotional reaction. This is the art of subtraction.
Figure 9: Art of Subtraction -- Before
Form: Many of the rocks in the image have interesting form.
Color: The rock is a saturated red.
Curves: There are many curves running through the image.
That is the good news. The bad news is that the scene has a ton of distracting detail. So, the goal becomes to keep form, color, and curves that can contribute to the creation of a good abstract image and remove everything else.
Figure 10: Art of Subtraction -- After
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